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Waters was partly inspired by an infamous incident that took place during the “In the Flesh” tour, which promoted the album “Animals.” Annoyed by the sound of firecrackers – and feeling as if the crowd wasn’t listening to their music or lyrics – Waters spat on the audience. “The Wall” would be the band’s next project – and, again, Waters asserted control. Being in a group for so long can be a bit claustrophobic, and I needed to step out from behind Floyd’s shadow.” The shadow of ‘The Wall’ At first I didn’t think my name was big enough to carry it. Reflecting on his first solo album, Gilmour said it “was important to me in terms of self-respect. Perhaps feeling suffocated by Waters, Richard Wright and David Gilmour took a stab at solo albums in 1978, with Wright releasing “Wet Dream” and Gilmour debuting the self-titled “David Gilmour.” But Rick did and Nicky did, and he was outvoted, so we went on.” “He never quite copped what I was talking about. “Dave was always clear that he wanted to do the other two songs,” Waters recalled. In the process, Waters ended up cutting the songs, “Raving and Drooling” and “Gotta Be Crazy” against the wishes of guitarist and co-vocalist David Gilmour. Roger Waters, the band’s bassist and co-lead singer, took charge for “Wish You Were Here.” He decided which tracks would appear and essentially dictated the album’s conceptual themes, which included alienation, a critique of the music industry and a tribute to former bandmate Syd Barrett, who had left the band in 1968 due to mental health struggles. The artwork for the Marvel Silver Surfer comic, also famously tried to use the symbol from the Pink Floyd cover for their comic cover.From left to right: Roger Waters, Nick Mason, David Gilmour and Richard Wright. It also was inspired by the meaning of the shape of the triangle, representing thought and ambition which is, according to Thorgerson, what he found attractive about the band member Roger Water’s lyrics. The design was inspired by a photo that Thorgerson witnessed. The prism is also a motif in all of the albums artwork, with an infra-red image of the pyramids. The black background and the design in general, calls for people to think about something greater than what is simply visible. According to the band members, the three elements represents the band’s stage lighting, the lyrics and the simple design demanded by band member Richard Wright. The design, similar to our own products, is surreal and conveys the psychedelic identity of the band. The idea of the prism converting light into colour presents the identity of the band effectively. In an attempt to create a simple but interesting design, the composition does both. The prism design was inspired by a photo that designer Thorgerson had admired.
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The design is very minimal and simple, with a prism in front of a black background. The cover, created by the surreal artist Storm Thorgerson, is famous in modern popular culture. The album “The Dark Side of the Moon” is the eighth album by the psychedelic rock band Pink Floyd. The album was released on 1st March 1973 and is one of the most successful and recognisable albums in the 20th century.